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by Marie F.

A Practical Guide to Toastmasters Evaluations with Insights from Gilbert Toastmasters

Evaluations are one of the most valuable parts of a Toastmasters meeting, and one of the most misunderstood. A good evaluation isn't a performance review. It's a gift. Done well, it leaves the speaker motivated, clear on what worked, and knowing exactly what to try next.

At Gilbert Toastmasters, we treat evaluations as a chance to build confidence, not just to hand out feedback. Whether you're evaluating for the first time or preparing for a contest, here's how to do it well.

Start before the speech

The best evaluations begin before the speaker says a word. Reach out ahead of the meeting and ask which project they're presenting. Every Pathways project has its own objectives, and knowing them tells you what the speaker is actually working toward. An Icebreaker and an advanced persuasive speech call for very different feedback.

Take a few minutes to review the project's evaluation form. It shows you what to watch for and keeps your feedback aligned with the speaker's real goals rather than whatever happens to catch your attention in the moment.

The Icebreaker is the hardest evaluation to give

Here's something that surprises new evaluators: the Icebreaker is one of the toughest speeches to evaluate well. The speaker is nervous, it's their first time up, and one clumsy piece of feedback can be the difference between someone who comes back next week and someone who doesn't. So you lead with encouragement. Always.

But encouragement doesn't mean skipping the growth. This is where a lot of evaluators get stuck, because it feels like you have to choose between being kind and being helpful. You don't. The secret is that how you say something matters far more than how much you point out.

Tom Lindsey, a two-time District evaluation contest champion, is a master of this. When he evaluates, even an Icebreaker, he offers the speaker two opportunities to improve, and it never feels like criticism. It feels warm and generous. That's the whole trick, and it's worth understanding why it works.

Why two options feels better than one correction

It seems backwards. Wouldn't pointing out one small thing be gentler than pointing out two? Actually, no.

When you name a single mistake, it lands like a verdict: here's what you did wrong. The speaker walks away focused on the flaw. But when you offer two options to improve, framed as choices, something shifts. As Tom puts it, you're giving the speaker two paths and letting them decide which one to work on for their next speech. Now you're not correcting them. You're handing them possibilities, and letting them own their growth.

Two doors to walk through feels like an invitation. One mistake to fix feels like a grade. Same goal, completely different experience for the speaker, and it's almost entirely in the delivery. Say it warmly, frame it as a choice, and even a brand-new speaker leaves feeling encouraged rather than judged.

So here's the simple approach

You don't need a complicated system. A strong evaluation comes down to two moves:

  1. Reward what worked, with specifics. Don't just say "great job." Name the moment. "The pause before your final line let it land" is worth ten generic compliments. Specific praise tells the speaker exactly what to keep doing.
  2. Offer two options to improve, and let the speaker choose. Frame them as two paths forward, not two fixes. Let the speaker pick which one to focus on next. This works for every speaker, including the nervous first-timer, because a choice feels like encouragement while a correction feels like a grade.

Deliver it all warmly, keep it to two or three minutes, and send the speaker back to their seat motivated to grow.

Want a deeper toolkit? There are several evaluation frameworks that can help you structure feedback for different situations. We've laid them all out on our Evaluations page, along with helpful videos. Start there when you're ready to level up.

It works. Just ask Guacy.

Guacy won her Area evaluation contest and advanced all the way to Division, and her secret wasn't talent. It was practice. Even when she wasn't the assigned evaluator at a meeting, she'd take notes and mentally craft an evaluation anyway. She and a few other members even held small gatherings of five or six people to practice Table Topics and give contest-style evaluations to each other. That extra effort is what sharpened her skills, and it shows that the way to get good at evaluating is to do it, often.

These skills follow you out the door

The best part of learning to evaluate is that it doesn't stay in the meeting room. Vincent, a manager, uses the same approach to give feedback to his team: reward what's working, offer something concrete to build on, and keep people motivated. The structure that makes a good Toastmasters evaluation makes a good performance conversation, a good piece of mentoring, and a good note to a friend.

That's really the point. Evaluation is a communication skill, and like every skill we practice at Toastmasters, it makes you better everywhere, not just at the lectern.

Ready to try it?

The only way to get comfortable giving evaluations is to give them. Come to a meeting, take notes, and see what you notice. We'll help you turn it into feedback that actually helps someone grow.

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